castlefield gallery

Castlefield - Manchester Art Gallery

2 Hewitt Street, Knott Mill, Manchester M15 4GB
Tel: +44(0)161 832 8034 Fax:+44(0)161 819 2295
Open to the public Wed, Fri, Sat, Sun 1-6pm, and Thu 1-8pm

publications

About Castlefield Gallery Publications
"Tea Dance" Elaine Constantine
'You are Here' Kevin Boniface and Jo Cotterill
"In-House" vol. 2 edited by Otto Smart
"Suspended Belief" Tom Hackney
"Some Mild Peril" Edited by Nick Jordan
'When in Rome III' edited by Raimi Gbadamosi
'Pass the Time of Day' edited by Paul Rooney and Eileen Daly
WIDESHUT
'The Masterpiece' Part 4-A Weekend in the Country by Olivia Plender
World Gone Mad-Surrealist Returns in Recent British Art
Making Love to my Ego
Andrew Bracey - Freianlage
UHC Collective Works Manchester 2005 – 2006
How Soon Was Now: MASA 25
Anne Charnock Certainty Suspended
The Stuff of Images: Laura White If I had a Monkey I wouldn’t need a TV

Anne Charnock Certainty Suspended

Price: £6.00

Pages 44

18 colour illustrations

Published by Castlefield Gallery publications, 2008

ISBN 9780955955709

Certainty Suspended investigates the text art of Anne Charnock who reveals her self-doubts about her art-making. Charnock adopts the ‘track changes’ function in word processing programs to give solid form to her contradictory thoughts.

Michael Corris makes an impressive and audacious sweep through language-in-art from the 1960s to the present day. Against this backdrop, he describes Charnock’s use of inscribed language as 'thought writ large, rather than text as matter'. Her work is in tune, he concludes, with the 'dialogic imagination spawned during the early years of conceptual art,' as opposed to the generic conceptualism of today. According to Corris, the viewer rehearses the artist’s uncertainty as they make false starts and trip over themselves in their attempts to extract competing sentences.

In a witty essay, Fiona Curran makes connections between Charnock’s close engagement with the viewer and Italo Calvino’s surreal novel, If On a Winter’s Night a Traveller. Calvino alternates between third and second person in 10 interrelated stories, taking the reader on a disorientating journey, a mirror of Charnock’s 'sense of the precarious'.

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